FaderFleet is here so artists keep creating. We handle the mix.
We’re a lean squad of mix and mastering engineers who’ve spent more time with patch cables than we’ve spend out in sunlight. We built this service so you don’t have to beg studio time every time inspiration strikes.
Our subscription model is dead simple: upload the idea, pick a plan and walk away. We run your stems through a hybrid chain of analog grit and digital manners, then drop a polished bounce back in your inbox before your DAW even has a chance to crash. No guess‑the‑hit roulette, no budget anxiety; every track gets the same stunt‑driver treatment.
Why? Because FADERFLEET exists so artists and producers can focus on the music. We handle the technical - gain staging, EQ and dynamics - so the result is release-ready.
Because chasing inspiration is hard enough without worrying whether your rough mix will survive the car-test.
FaderFleet strips out the engineering guesswork, no hourly rates, no surprise invoices, just a flat subscription that lets you upload tracks as fast as you write them. Every song is finished by real mix engineers (not presets), delivered on a predictable schedule, and ready to drop the moment creativity strikes.
Why FaderFleet?
Focus on the art; we’ll make sure it sounds the may you meant it to sound.
HoW it works
Step 1 — Pick a plan
Whether it’s every two weeks, weekly, or two tracks a week, there’s a plan for your pace. One monthly fee. No per-song invoices.
Step 2 — Drop your files
Send us the WeTransfer Link, upload stems, refs, and notes.
Step 3 — We mix (fast)
Analog chain. First pass lands in ~48 hours.
Step 4 — Tweak it (twice)
Two rounds of revisions on us. Approve, get finals.
Services
Mixing
FaderFleet’s mixing service is basically a valet for your stems—minus the awkward small talk. We pull your session into our hybrid chain (think analog attitude, digital hygiene), pin the transients where they belong, and carve space so every kick, snare, and existential lyric stops fighting for attention. No mysticism, no “golden ears” spiel—just surgical fader moves, tasteful color, and a bounce that sounds like you actually meant it this way all along.
Mastering
Mastering isn’t alchemy—it’s housekeeping at 0.2 dB increments. We trim the low‑end beard, polish the top until it’s dangerously tweetable, and hit the loud button just shy of war crimes. Your mix stays yours—just taller, wider, and suddenly accepted by every streaming gatekeeper.
